感觉是剧本篇幅撑不起九十分钟，到一小时时就开始进入传统鬼片的你追我追上就玩完桥段.
倒是氛围不同于单纯的jump scare，意外感觉和《艾特熊和赛娜鼠2：吉波利塔之旅》类似，开场同样是一车一路，中段又是女主被困在房间里等着外面的鬼破门，又是一片苦难的受诅咒的土地闹怨灵.
值得回味的是，坚称只信科学的男人却走火入魔用了邪术(莫非他想到了弗兰肯斯坦?)，倒是有信仰的女人最后拒绝拥抱活死人. 大概导演还是带着非常正统的人死不得复生的理念吧. 不过接二连三的悲剧难道不是交通规划的责任？我应该用怎样一种心情来写下对这部片子的感受呢，想了整整三天一直没有办法平静下来. 小心翼翼不愿意接受别人好意的少女啊，因为受到此生第一次的优待和温暖，一瞬间不知如何收拾自己的心意，把它们许名为“喜欢”. 她捧着乞讨来的碗去报恩，她因嫉妒丢弃未婚妻给的新衣，她因为共情和心疼故意装作看不见Chombo偷东西，因为害怕失去冲着井底嘶哑着唤魂. 这些都是医生救赎她，教会她的. “假如你驯服了我，我们就彼此需要了. 对我而言，你就是举世无双的了. ”The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
